{"id":4035,"date":"2023-05-01T06:00:00","date_gmt":"2023-05-01T10:00:00","guid":{"rendered":"http:\/\/quebeccollage.com\/?p=4035"},"modified":"2023-04-28T13:53:54","modified_gmt":"2023-04-28T17:53:54","slug":"arthur-guillarme-artychot","status":"publish","type":"post","link":"http:\/\/quebeccollage.com\/en\/artist-of-the-month\/may\/arthur-guillarme-artychot\/","title":{"rendered":"Arthur Guillarme (Artychot)"},"content":{"rendered":"\t\t
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ARTISTE DU MOIS DE MAI<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Arthur\nGuillarme\n(artychot)<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Montr\u00e9al<\/em><\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Comment as-tu d\u00e9couvert le collage?<\/h3>

Lors d\u2019une vir\u00e9e en chalet, il \u00e9tait d\u00e9j\u00e0 bien tard et un\u00b7e ami\u00b7e me propose d\u2019\u00e9couter de la musique et de faire de la po\u00e9sie \u00e0 l\u2019aide de mots d\u00e9coup\u00e9es dans des magazines. Nourrit de mon parcours en arts num\u00e9riques, des r\u00e9flexions avec mon entourage sur la complexit\u00e9 \u00e0 pourvoir l\u2019art num\u00e9rique d\u2019un corps physique techniquement facile \u00e0 d\u00e9coder pour les spectateurs\u00b7rices, l\u2019id\u00e9e est \u00e9merg\u00e9e de faire valser les codes des m\u00e9diums. Puis, d\u00e8s mon retour de cette excursion, j\u2019ai fouill\u00e9 mon stock de trouvailles et ai extirp\u00e9 des magazines et un scanner. L\u2019aventure \u00e9tait lanc\u00e9e!<\/span><\/p><\/div>

<\/p><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ce que tu aimes dans cette technique?<\/h3>

\u00ab\u2009Dans le chaos, tout se passe comme pr\u00e9vu [?]\u2009\u00bb<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Comment d\u00e9crirais-tu ton style?\u00a0<\/h3>

Ces exp\u00e9rimentations illustrent la porosit\u00e9 de la m\u00e9moire et sont une analogie entre la faillibilit\u00e9 des souvenirs et celle de la machine. Un travail du geste en qu\u00eate de l\u2019\u00e9mergence, de l\u2019esth\u00e9tique de l\u2019erreur; comme une tentative de peindre avec de nouveaux mat\u00e9riaux sur de nouvelles surfaces en valsant avec des codes artistiques transm\u00e9diatiques. Lors de la num\u00e9risation, \u00e0 la mani\u00e8re d\u2019un marionnettiste, je mets en mouvement les pi\u00e8ces de mes compositions afin de d\u00e9velopper une esth\u00e9tique valsant avec les codes de l\u2019art technologique, du collage, du glitch art, de l\u2019art g\u00e9n\u00e9ratif et du dada\u00efsme.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ce qui te distingue des autres en un mot?<\/h3>

Processus.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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O\u00f9 trouves-tu ton mat\u00e9riel? As-tu des magazines pr\u00e9f\u00e9r\u00e9s?<\/h3>

Les mat\u00e9riaux manipul\u00e9s sont issus de trouvailles faites dans les poubelles montr\u00e9alaises; dans une volont\u00e9 de d\u00e9tournement des ressources tant esth\u00e9tique que technique. L\u2019\u00e9paisseur du papier et de l\u2019impression sont des \u00e9l\u00e9ments centraux dans le choix des magazines. Quelques-uns qui retiennent mon attention pour le moment : NatGeo et The Atlantic.<\/span><\/p><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Un conseil pour un artiste qui d\u00e9bute?<\/h3>

Tout peut devenir une galerie d\u2019exposition.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Suivez cette artiste<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\tSITE WEB\t\t\t\t\t<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\tINSTAGRAM\t\t\t\t\t<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\tFACEBOOK\t\t\t\t\t<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ARTISTE DU MOIS DE MAI Arthur Guillarme (artychot) Montr\u00e9al Comment as-tu d\u00e9couvert le collage? Lors d\u2019une vir\u00e9e en chalet, il \u00e9tait d\u00e9j\u00e0 bien tard et un\u00b7e ami\u00b7e me propose d\u2019\u00e9couter de la musique et de faire de la po\u00e9sie \u00e0 l\u2019aide de mots d\u00e9coup\u00e9es dans des magazines. Nourrit de mon parcours en arts num\u00e9riques, des […]<\/p>\n","protected":false},"author":1,"featured_media":4037,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":[],"categories":[43,67],"tags":[],"yoast_head":"\nArthur Guillarme (Artychot) – Qu\u00e9bec Collage<\/title>\n<meta name=\"description\" content=\"Lors d\u2019une vir\u00e9e en chalet, il \u00e9tait d\u00e9j\u00e0 bien tard et un\u00b7e ami\u00b7e me propose d\u2019\u00e9couter de la musique et de faire de la po\u00e9sie \u00e0 l\u2019aide de mots d\u00e9coup\u00e9es dans des magazines. Nourrit de mon parcours en arts num\u00e9riques, des r\u00e9flexions avec mon entourage sur la complexit\u00e9 \u00e0 pourvoir l\u2019art num\u00e9rique d\u2019un corps physique techniquement facile \u00e0 d\u00e9coder pour les spectateurs\u00b7rices, l\u2019id\u00e9e est \u00e9merg\u00e9e de faire valser les codes des m\u00e9diums.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/quebeccollage.com\/en\/artist-of-the-month\/may\/arthur-guillarme-artychot\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arthur Guillarme (Artychot) – Qu\u00e9bec Collage\" \/>\n<meta property=\"og:description\" content=\"Lors d\u2019une vir\u00e9e en chalet, il \u00e9tait d\u00e9j\u00e0 bien tard et un\u00b7e ami\u00b7e me propose d\u2019\u00e9couter de la musique et de faire de la po\u00e9sie \u00e0 l\u2019aide de mots d\u00e9coup\u00e9es dans des magazines. 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